ARTIST STATEMENT

My practice explores the emotional and psychological dimensions of memory, loss, and transformation through abstract painting, poetic language, and immersive design. Working primarily in oil on wood panel and canvas, I build layered surfaces through processes of accumulation and erasure—gestures that mirror the instability of perception and the fragmentation of memory.

I am drawn to liminal states: the thresholds between presence and absence, clarity and dissolution. These tensions animate my work across media, from experimental paintings to immersive exhibitions that incorporate text, sound, and spatial choreography. I often collaborate with AI to generate poetic fragments that serve as wall texts or narrative anchors, using technology not for precision but for emotional resonance.

My recent project, Between Stillness and Disappearance, engages the emotional landscape of Alzheimer’s through a constellation of abstract paintings, a companion book, poetic plaques, and a virtual gallery. Rather than depict memory loss, the work evokes it—through atmosphere, pacing, and material ambiguity. The exhibition is structured as a series of emotional zones, each inviting viewers into a space of quiet reflection and open-ended interpretation.

My practice is shaped by a lineage of mentors, art historical inquiry, and a curatorial sensibility that privileges emotional pacing and viewer experience. I approach each project as a dialogue—between material and memory, abstraction and atmosphere, intuition and structure. Whether working alone or in collaboration with emerging technologies, I remain committed to creating spaces where ambiguity is not a void, but a site of presence.